Choreographing Histories: Critical Perspectives on Dance Histories in Nordic Dance Practices and Scholarship

Tour Jeté, Pirouette: Dance Choreographing by Computers

This project is a “proof of concept” exercise intended to demonstrate the workability and usefulness of computer-generated choreography. We have developed a framework that represents dancers as individualized computer objects that can choose dance steps and move about on a rectangular dance floor. The effort begins with the creation of an agent-based model with the Swarm simulation toolkit. The...

Choreographing a different dance: placing research in the public arena

Geographers increasingly advocate placing research in the public arena and the creation of work that is useful for public policy makers. Existing literature indicates some approaches that have bearing on these goals, such as using participatory action research, clarifying positionality, and attending to the nature of discourse. It does not, however, generally offer empirical cases of addressing...

Choreographing lived experience: dance, feelings and the storytelling body.

Although narrative-based research has been central to studies of illness experience, the inarticulate, sensory experiences of illness often remain obscured by exclusively verbal or textual inquiry. To foreground the body in our investigation of subjective and intersubjective aspects of eating disorders, we-a medical anthropologist and a contemporary dance choreographer-designed a collaborative ...

Choreographing Space: The Enhancement of Architecture Through Dance

Preventing dance injuries: current perspectives

Dancers are clearly athletes in the degree to which sophisticated physical capacities are required to perform at a high level. The standard complement of athletic attributes - muscular strength and endurance, anaerobic and aerobic energy utilization, speed, agility, coordination, motor control, and psychological readiness - all are essential to dance performance. In dance, as in any athletic ac...